开售时间：

2024年8月16日（周五）11:00
 

 购票特惠： 

*购480票档可享8.5折优惠，年费会员享受折上折。
*适用所有优惠券，可与任意折扣叠加，限微信购票使用。
*本场演出设少量公益票，详情请点击公众号-一键购票-公益票。

 演出时长:  

*总时长约65分钟，无中场休息。
*一人一券，1.2米以下儿童谢绝进场。
*英语演出，中文字幕。

 第三届湾区国际戏剧生活季 

波兰“山羊之歌”剧团音乐戏剧《评论哈姆雷特》
Song of the Goat Theatre present Music theatre“Hamlet - A Commentary”

 演出简介 
波兰“山羊之歌”剧团的《评论哈姆雷特》是基于莎士比亚戏剧的深刻而强烈的诠释，是对作者未明言但隐含的内容的反映和表达。以一颗沙粒见宇宙的高度强化方式提炼出原著经典中的精髓，而使之成为可能的是 “山羊之歌” 剧团那渗透舞台的复调音乐和声的独特戏剧方式。成立于 1996 年的波兰“山羊之歌”剧团迄今已经成为欧洲最具创新精神的剧团之一。剧团得名“山羊之歌”——古希腊文中意为“悲剧”，代表着剧团对古希腊悲剧传统的继承。山羊之歌剧团注重声音、歌曲和文本的整合---- “语言让你思考；音乐让你感受；歌曲让你感受你的思想”。该剧发生在正剧之前的两个月——在老国王被杀害的那个夜晚。这个夜晚变成了一场莎士比亚式的守夜。舞台上既有莎士比亚剧作中的人物，也有仿佛未曾出现的角色。人物关系看似平静，但实际各自内心深处痛苦的秘密却在持续滋生。角色对自我的审视告白在舞台上勾勒出情感波澜的图卷，展现人性最深处的一面。

 关于制作 
“山羊之歌”剧团的《评论哈姆雷特》深入理解莎剧经典中的精华，以独特音乐结合戏剧的演绎手法，将原著紧凑的剧情再度升温。十多位演员撇去华丽的舞台和服饰，以和充满想象力和高超审美的叙事方式相辅相成的表演和极简主义解构的舞台呈现方式体现了对莎士比亚戏剧精神内核的深刻演绎， 同时又创造出全新的思考：源自古希腊的悲怆内核，融入莎士比亚的人文哲思，用音乐解构戏剧，并用歌声与肢体表达戏剧所传递的精髓。以声乐、形体动作及戏剧元素，代表着剧团对古希腊悲剧传统的继承：对仪式感的追求，演员们肃穆庄重的表演状态，以及对类似于古希腊剧作中“歌队”的功能展现，都使他们的作品呈现出超然别致的气质，也代表着对传统戏剧根源的回归。导演：格热戈日·布拉尔(Grzegorz Bral)

编剧：阿丽夏·布拉尔（Alicja Bral）
音乐：让·克洛德-阿夸维瓦，马切伊·里赫瓦

(Jean Claude-Acquaviva, Maciej Rychły)“Hamlet - A Commentary” of Song of the Goat Theatre is Shakespeare’s originaldrama’s intense interpretation, a vibrant reflection, a full expression of what was merelymentioned and not said explicitly by the author. It achieves an elevated synthesis,extracting the essence of original classics through the profound method of perceiving the universe in a grain of sand. This is made possible by the company's unique theatrical approach, which integrates polyphonic music and voice that permeate the stage. Established in 1996, Song of the Goat Theatre has developed an international reputation as one of Europe’s most innovative theatre companies. The name---"Song of the Goat”, in ancient Greek, means "tragedy," symbolizing the company's inheritance of the ancient Greek tragic tradition. Song of the Goat Theatre focuses on integrating sound, song, and text----"words make you think; music makes you feel; songs make you feel
your thoughts”.The show takes place two months before the original play’s plot – on the night when the old king was murdered. The night turns into a Shakespearian vigil. On the stage there are some characters who were featured in Shakespeare’s play and some who were not. On the surface of the relations, nothing seems to be going on while painful secrets awaken in the characters. Through characters' introspective confessions, it sketches emotional turmoil on stage, revealing the deepest aspects of human nature.

About the Production:
The production delves deeply into the essence of Shakespearean classics. Combining unique music elements with theatrical performance, it heightens the intensity of the original plot. Over ten actors perform without the use of elaborate sets and costumes, relying instead on imaginative and aesthetically refined narrative techniques. Their performance and staging reflect a profound interpretation of the core spirit of Shakespearean drama while also generating new perspectives. By integrating the tragic core of ancient Greek drama with Shakespeare’s humanist philosophy, they deconstruct drama through music and convey its essence through song and movement. The use of vocal performance, physical movement, and theatrical elements reflects the company’s dedication to the traditions of ancient Greek tragedy. Their pursuit of ritualistic expression, the actors' solemn and dignified performance style, and their portrayal of the chorus function—akin to that in ancient Greek plays—imbue their work with a unique, transcendent quality, representing a return to the roots of traditional theatre.

 剧团介绍 
“山羊之歌”剧团
成立于 1996 年的山羊之歌剧团迄今已经成为欧洲最具创新精神的剧团之一，致力于研究戏剧区别于其它艺术形式的独特之处。“山羊之歌”剧团持续进化的训练、排练和表演都被视为是一个实验过程，探究演员和导演的技艺，并演化出新的表演技术、语言和作品。它的特点在于寻求把“连结、聚合和开放性”作为真实体验的起点。对连结的专注决定了每种新训练的发展——即试图把动作、声音、歌曲和文字结合起来，创作出自身附有音乐性的表演，从而在感官上与观众产生共鸣。他们已创作了包括《李尔之歌》《疯狂的上帝》《樱桃园的肖像》《回归声音》在内的多部备受瞩目的经典剧目。剧团曾获奖项：《评论哈姆雷特》——2018 年格但斯克莎士比亚节第 25 届金约里克奖“最佳音乐改编和歌唱技巧荣誉”、《李尔之歌》——2018 年波兰切申艺穗节“一等奖”、《李尔之歌》——2012 年爱丁堡艺穗节“艺穗节第一名”“哈罗德天使奖”“音乐戏剧特别奖”“评论家榜单第一名”等。

Song of the Goat Theatre (Teatr Pieśń Kozła) Established in 1996 in Wrocław Song of the Goat Theatre (Teatr Pieśń Kozła) has developed an international reputation as one of Europe’s most innovative theatre companies, committed to researching what makes theatre distinctive from other art forms. Song of the Goat Theatre’s ever-evolving training, rehearsal and performance processes are treated as laboratories, enabling the Company to research the craft of the actor and director and to evolve new techniques, performance languages and work. Commitment to connection informs the development of each new training approach, which always seeks to integrate movement, voice, song and text, creating performance that has an inherent musicality and connects with the audience on a sensory level. Their repertory includes “Songs of Lear”, “Crazy God” (inspired by “Hamlet”), “Portraits of the Cherry Orchard” and “Return to the Voice”，to name a few.Awards Distinction for the musical interpretation of "Hamlet - A Commentary" and the unique singing techniques used in the performance at the 25th Golden Yorick Competition (The Gdańsk Shakespeare Festival) 2018 1st place for "Songs of Lear" at Border Festival in Cieszyn 2018 FRINGE FIRST 2012 HERALD ARCHANGEL 2012 SPECIAL AWARD / MUSICAL THEATRE MATTERS AWARDS 2012

关于 评论哈姆雷特
这是一次多声部非常规叙事的戏剧体验。当代文明的突兀性加诸于众生诸多制约和身份的丧失。正如导演格热戈日·布拉尔（Grzegorz Bral）在谈到他的角色们时所说——对本能的呼唤是创作的初衷。布拉尔的戏剧以他最擅长的复调歌曲结构风格为基础。马切伊·里赫瓦解释说：“它涉及特定声音的同时出现，这些声音相互尊重并创造出一种和谐。- 这可能会成为戏剧情节的源泉，因为一起唱歌的人相互之间会形成关系（这就是本演出中发生的情况--编者注）。作曲家补充道，文字创造了我们的世界吗？戏剧是由文字创造的吗？马切伊·里赫瓦说："在我们这个时代，文字失去了意义和分量，而音乐却没有。”

评论

阿丽夏·布拉尔（Alicja Bral）的《评论哈姆雷特》并非是莎士比亚戏剧的原封不动的改编，而是在死者床边守夜的原创诗歌记录。剧本作者的歌声穿透了莎士比亚戏剧中的人物和想象中的人物的能量。他们试图表现出难以言喻的那些事物的存在：意图、经历和感觉。整部作品音乐部分由让·克洛德·阿夸维瓦（Jean-Claude Acquaviva）和马切伊·里赫瓦（Maciej Rychły）创作，形成了一种歌谣体，但在普尔基尼耶戈街的房子里，我们并没有遇到像《格萨尔咏叹调》中的那些人物。你看到的是深受伤害的人们。这部剧首先是关于受伤和孤独的。
——Leszek Pułka 2017